PRESERVANDO EL PATRIMONIO DE LA DANZA: ¿VÍDEO, O NOTACIÓN?

“¿Para qué necesitamos un sistema de notación, cuando ya tenemos el vídeo?” Esta es una pregunta que he escuchado innumerables veces no solo por gente ajena al mundo de la danza sino por bailarines y profesionales también… Y mi respuesta siempre ha sido la siguiente: “¿Le pedirías a un actor preparándose para representar Hamlet de…

Variations and Volcanos

When I completed my Benesh Movement Notation (BMN) training, I always thought I might like to teach the subject one day, but I never imagined I would do so in the shadow of a smouldering volcano! Fast forward a few years and that was exactly where I found myself, in a dance studio in Cholula Mexico, at the foot of a very active Popocatépetl.

Jane Bourne, FI Chor.

Jane Bourne interviewed by Anna Trevien This interview was done in January 2015 while Jane Bourne was staging the ballet Onegin for The Royal Ballet in London. Born in Lincoln, Jane Bourne trained at the Institute of Choreology and worked with Massine on Le Tricorne at London Festival Ballet. She joined Stuttgart Ballet as Choreologist…